{"id":8246,"date":"2025-03-30T15:45:24","date_gmt":"2025-03-30T15:45:24","guid":{"rendered":"https:\/\/alejandraglez.com\/?p=8246"},"modified":"2025-05-21T11:23:30","modified_gmt":"2025-05-21T11:23:30","slug":"obba","status":"publish","type":"post","link":"https:\/\/alejandraglez.com\/es\/obba\/","title":{"rendered":"OBBA"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><strong>Havana (Cuba), 2020<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En su serie <em>Obba<\/em>, Alejandra Glez aborda la figura de la santa yoruba como met\u00e1fora del sacrificio femenino en la cosmovisi\u00f3n afrocubana. Glez reinterpreta esta imagen, alej\u00e1ndose de la sumisi\u00f3n para convertirla en un acto de resistencia. A trav\u00e9s de la fotograf\u00eda, el sacrificio de Obba se transforma en una afirmaci\u00f3n de autonom\u00eda, visibilizando la fuerza y la resiliencia de las mujeres frente a las imposiciones sociales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cada imagen de la serie cuestiona las estructuras de poder que hist\u00f3ricamente han oprimido a la mujer, proponiendo una nueva lectura: la mujer no es v\u00edctima, sino protagonista de su propio relato. En <em>Obba<\/em>, el sacrificio se resignifica como un acto de empoderamiento, donde la resistencia y la autonom\u00eda se convierten en el verdadero legado.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-right wp-block-paragraph\"><em>Charleen Capote<\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Havana (Cuba), 2020 In her series Obba, Alejandra Glez explores the figure of the Yoruba saint as a metaphor for feminine sacrifice within the Afro-Cuban worldview. Glez reinterprets this image, shifting away from submission to transform it into an act of resistance. Through photography, Obba\u2019s sacrifice becomes an affirmation of autonomy, highlighting the strength and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8250,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"Havana (Cuba), 2020 In her series Obba, Alejandra Glez explores the figure of the Yoruba saint as a metaphor for feminine sacrifice within the Afro-Cuban worldview. Glez reinterprets this image, shifting away from submission to transform it into an act of resistance. 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